Today, July 20, 2019, marks the 75th anniversary of Operation Valkyrie, the last assassination attempt on Adolf Hitler (y”sh).
The original “Operation Valkyrie” was a contingency plan of the Ersatzheer (idiomatically: reserve army, home army) for suppressing internal unrest in such events as an uprising by the millions of coerced foreign workers in Germany, or in the event the Führer was dead or incapacitated. During 1943, the plan was substantially rewritten in secret by several staff officers involved with the Resistance to exclude participation of the SS and other NSDAP-affiliated organizations, to facilitate a quick takeover of the country following a successful assassination. Most of the rewriting was the work of Maj.-Gen. Henning von Tresckow, chief staff officer of Army Group Center and in many ways the mastermind of the conspiracy, as well as of a gravely wounded general staff officer sent home from North Africa for convalescence and reassigned to the General Army Office on Bendlerstrasse: Col. (GS) Claus Schenk, Count von Stauffenberg. It was this fascinating man (I cannot do justice to Peter Hoffmann’s biography by selective quoting) who would eventually carry out the doomed attempt.
Operation Flash, Episode 1, describes an alternate timeline in which a previous plot, Rudolf von Gersdorff’s attempted suicide bombing at the Berlin Arsenal on March 21, 1943 had succeeded. (The one other departure from actual timeline I allowed myself is that the Valkyrie rewrite had been completed earlier than actually happened in our timeline.) Then the conspirators — despite extensive preparations for and political discussions about “the day after Hitler”, in both timelines — discover that killing the Führer and the Reichsführer-SS was actually the easy part.
Normally, Episode 2 would have been released today, but life and day job got in the way. I have just received the annotated rough draft from my editor, and am now aiming for a mid-August release.
Let me end this post on a musical note. Beethoven wrote this composition as incidental music for Goethe’s play Egmont, about the Flemish count who stood up against a different tyrant and paid with his life for it. His name is still remember in the Lowlands to this day as a fighter for freedom of religion and a martyr for (what ultimately became) Dutch independence.